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Gene had handwritten on the margin, “Hand umbrella to a passerby as you’re leaving.” It was inspiring to see that.
(End spoiler alert) Your performance in this film reminds us of Gene Kelly. We had the great opportunity to meet Gene Kelly’s widow before we started this film. I got to see the leather-bound script of “Singin’ in the Rain.” I went to the scene of the title number.
Growing up, he attended Gladstone Public School, Cornwall Collegiate and Vocational School and Lester B. He watched Dick Tracy when he was a child and knew that he wanted to become an actor, and encouraged by his sister being a performer, he began performing on stage from an early age.
When he was 13 years old, his parents divorced and he and his sister had to live with their mother.
He was very kind to let me sleep on his couch when I first moved to Los Angeles until I got on my feet. I’ve lived in Los Angeles longer than I’ve lived anywhere else, so it certainly is home. So, you run into a lot of those people in the city. I felt it was very accessible in that way, because even if you didn’t like musicals, you could still connect to this film through that relationship.
Yeah, my only previous experience with dance was ’90s hip-hop, so that’s different from traditional tap. A wonderful choreographer, Mandy Moore, who works on that television show, “Dancing with the Stars.” So she’s very used to finding the diamond in the rough. I don’t know how we would have done it without them, honestly. I spend time with my family (actress Eva Mendes and their two daughters).
We were lucky that they opened it up for us and got to shoot there for this film. Are you the type who dances at the sight of a beautiful sunset?
There are many other wonderful romantic places in Los Angeles.